It is an amazing lens! Fully compatible with the Canon M50 with no need to purchase any sort of adapters. Just fits straight on.The picture quality is remarkable. At f1.4 it is super clear, cinematic and leaving a nice Bokeh.The quality of this lens is all metal! So it feels nice and you know it’s HQ durable.Highly recommend.

Recently I was on a coach holiday in Scotland, visiting the West Coast, the Moray Firth, and the Trossachs. I had with me the wide angle Sigma 16mm, f/1.4 lens for the Sony e-mount on my Sony A6300. I found this very useful in taking a photo of Glen Coe, as the sun was rising, the valley floor was still very dark, although the sky was very bright. The photo of Glen Coe won me a third place at a photographic competition. Where this lens really came into it’s own was when we stopped at the Dochart Falls, in Killin, at 3pm on a very dark, and wet November day. I was able to shoot wide open at f/1.4, and still obtain some respectable images despite the inclement weather. So while a kit lens can be very good, a “fast” prime lens is always useful to have at hand especially if some locations are many miles away, and you may not have another chance to revisit those locations again. This lens is fantastic for landscape, architecture, and group shots, the image quality is fantastic, the build quality is excellent, the lens is a little heavy, but there’s a lot of glass in there!

I have numerous Panasonic Micro Four Thirds Lenses- the 50mm, the kit zoom and the expensive Lumix G X Vario 12-35 F2.8.I do a mixture of photos and video and like to try my hand at ‘Cinematic’ pieces.I have to admit to being a tad (very slightly its still a great lens) disappointed now with the 12-35 which is considered to be a go to lens for videography. It’s good and has a constant F2.8 aperture but the autofocus seems to sometimes snap to something, then ‘wobble’ a bit. It effectively sometimes focus’ then defocuses then focuses again. This is a a trait of the lens.This seems slower focusing than the Panny, in video. But its very smooth and doesn’t seem to do that double focus issue. So you can be very close to the subject (this is also effectively a macro lens) and pan over it for example, and it smoothly transitions to the distance. This is great for the video I like to do.Not only that but the images are simply phenomenal. The Panasonic G X Vario is good, but its twice the price, and frankly does not look as good as this. There is something you cannot actually describe easily in words about the look of this lens which makes it look fabulous.There are similar, much smaller fast primes from both Panasonic and Olympus but they lack that ‘extra something’ in the image that this lens does. Its the ‘magical’ element that this lens has.Two downsides- its quite large (a bit bigger than my 12-35 G Vario but not massively so) as it was designed as an APC C lens. However I am sure the size is resultant in that extra depth to the image quality over its smaller rivals. It also does not have in built image stabilisation. The Panasonic has it in body, but is even better when working in tandem with lens stabilisation so I am going to have to be a bit more careful moving this one about and also maybe use the gimbal more.If you have a G5 or G9 though, this is the lens that shows that camera’s potential. In fact with this on, and its very shalow depth of field, it is difficult really to find a camera shooting better quality video than a G9/ GH5 10 bit coupled with this Sigma.

Nice!
Love the early receiving again with standard shipping. Crossed my wish list for this one. Cant ignore the quality on this similar to the 56mm. 2nd purchase from the same seller may buy again to complete a set with the 30mm remaining.

Toplens!
Ik had een lens nodig die goed is met weinig licht, maar waarbij je wel veel ziet op kleine afstand. Dit is de lens, daarnaast ook prachtig beeld, voor zowel film als foto. Bestelling is ook goed gegaan, netjes optijd, top!